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cover YUM catalogue 2007

Selected Press

 

The New York Sun, 2007.

Chat with the artist. Out of the Darkness, Into Art - by Sarah Portlock

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Internationally renowned arts institution presents Frank Gehry with highest honor

Friends of Bezalel Academy of Arts and Design Award the Jerusalem Prize for Arts & Letters at November 12 Gala in New York City, 2007.

The Friends of Bezalel Academy of Arts and Design, Israel’s oldest institution of higher education, honors world-renowned architect Frank Gehry, with the Jerusalem Prize for Arts and Letters at its annual fundraising gala and art auction on November 12th.

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Edging as an artistic force, New York City 2007.

Anat Litwin discusses the work of Laura Murlender

Over the last 20 years Murlender has devoted her artistic exploration to the investigation of the grid, and to the development of a unique emotional and structural tension.

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Planes, Horizons, Openings, Buenos Aires, 2005.

Works on paper - By Adriana Lauria

The forceful materiality that usually confronts us in Laura Murlender's paintings has, in a certain way, become lighter in this series of acrylics and collages on paper.

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Telam, Buenos Aires, 2004.

Culture / Murlender Laura - Written on the wall - by Elba Perez

Although Laura Murlender can be inscribed in the “Rioplatense” (*) tradition of Constructive Universalism initiated by Joaquin Torres Garcia, this fact does not exhaust the resources displayed by the artist in her current exhibition at the Principium Gallery.

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“La Brecha” Newspaper, Montevideo Uruguay, 2001.

The Reconstruction of Time - by Thiago Rocca

Reticulations have been a very ancient pictorial tool that precedes the legacy of the Renaissance and it is still used up to this day to sketch a mural composition, a mosaic or large paintings.

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Laura Murlender, Buenos Aires, 2001.

The dreams of substance - by Pablo Baler

In each new encounter with Laura Murlender’s inner landscapes one has to transcend the introspective experience of an essential conflict. Because, in the fabric of her paintings, where geometrical tracings coexist with a visceral expressionism, a fascinating game takes place between intellect and emotion, between idea and substance.

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Returns, Buenos Aires, 1998.

Recoleta Cultural Center - by Julio Sanchez

Zen Buddhism teaches us that emptiness is not empty. In a likewise manner Laura Murlender's paintings seem to tell us that chaos has an order. Great surfaces of color, textures and materials half hidden by paint are the letter of presentation of her work.

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